WCSCD 2025/2026 educational program participants


Giulia Gaibisso
Giulia Gaibisso (Rome, 1993) is an art historian and curator. With a strong vocation for research, she is interested in building relationships between voices of the present and stories from the cultural past, coordinating projects of a performative, exhibition and editorial nature. Since 2021 she has been part of the team of IUNO, an independent research centre for contemporary art founded by Cecilia Canziani and Ilaria Gianni. She was a member of the artist-run space In Spazio In Situ, and has curated performances (CircoTornio by Chiara Camoni and the Centro di Sperimentazione, Rome 2021), exhibitions (The Good Company, Rome 2025; But it did happen, Rome 2023) and workshops dedicated to writing and conceived in collaboration with young Italian artists (Allineamenti - Roberto Casti; Resta sveglia, Davide Sgambaro; La memoria delle cose, Andrea Martinucci). She was co-curator of Rome's Portrait. Festival delle Accademie e degli Istituti di Cultura at Palazzo delle Esposizioni, Rome, 2023. She has worked as curatorial assistant for projects hosted by institutions such as MAXXI L'Aquila and GAM - Turin, and as editorial assistant for Treccani and NERO Editions. In 2022 she joined the editorial staff of Radio GAMeC 30 years.

Xia Chengwei
Xia Chengwei (b. 1994, Chengdu, Sichuan, China) is an artist currently living between London and China. She holds a BA in Architectural Studies with First Class Honours from the University of Hong Kong (2016), an MA in Fine Art (Painting Pathway) with Distinction from the Slade School of Fine Art, UCL (2022), and completed The Drawing Year at the Royal Drawing School in 2023.
Rooted in non-linear time, embodied knowledge, and relational ways of understanding, Chengwei’s practice moves across writing, drawing, painting, and making. Her works often blur the lines between artistic creation and everyday labor, using materials as clues to weave together place, memory, and community. She sees painting and drawing as acts that access psychic realities and delve into deep inner landscapes. A key concern in her practice is feminine and care-based labor—acts of “knitting” and “growing” that hold the energies of the body and the passage of time in rhythms that resist capitalist acceleration.
Place is fundamental to Chengwei’s work. Born in a red-clay village in Sichuan, she draws inspiration from local agrarian life, ecological rhythms, and folk-shamanic beliefs. Her experience of otherness while living in London also feeds into her artistic inquiry. She is currently researching the salt-field ecosystem in Laoshi Village (Danzhou, Hainan), with the aim of nurturing an art and research space rooted in the local community while fostering translocal connections. She is also tracing family histories and disappearing knowledge systems in her hometown of Fangjiasi Village (Jianyang, Sichuan), gathering oral traditions and plant-based knowledge through drawing and writing as invocation.
Chengwei perceives art as a slow, relational unfolding—less about representation than about co-presence, care, and cultivation.

Marie Tatjana Niederleithinger
Photo by Amiel Pauli
Marie Tatjana Niederleithinger is a Vienna-based curator, moderator, and researcher who loves all kinds of moving and expressing through the body. Their two foci regarding exhibition projects are community-focussed, politically engaged art and Art & Science. Marie previously initiated exhibition days on collective mourning in an interim use neighbourhood meeting place in Vienna (»Wie wir Trauern. On loss and Transformation«, Jul 2023). In December 2024, they curated an exhibition on artificial photosynthesis (»Of Light and Water. Striving for Superficiality«) commissioned by CataLight Collaborative Research Center at Kunstverein Ulm, Germany. Since 2021, they are amongst the organizers of the residency program »künstlerische Tatsachen« (artistic facts) in Jena, Germany, and co-founded the association »Zentrum für künstlerische Forschung« (center for artistic research, coming soon) in 2024. Marie formally trained in molecular biology and adjacent disciplines in Germany, France and Chile before entering the arts via an internship at former STATE Studio in Berlin, as well as co-creative modes of carrying out health research and health intervention development (Ludwig Boltzmann Gesellschaft, Vienna). In their current one-year educational leave, Marie spontaneously became a not-for-profit yoga instructor. Their personal intellectual and sensual inquiry in 2025 is investigating collective wellness practices.
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Irene Coscarella
Photo by Alberto Nidola
Irene Coscarella (Alba, 1997) is an Italian curator and educator with a background in visual arts. Over the years, she has developed and researched projects that promote collaboration within the cultural field, experimenting with different methodologies and frameworks that foster dialogue and shared learning Between 2019 and 2021, she co-founded and ran INFERNOTTO, an independent art space in Turin dedicated to supporting emerging artists. Since 2021, she has been part of the Education Department at the Fondazione Sandretto Re Rebaudengo, a contemporary art institution in Turin. During this time, she has managed and developed several educational projects aimed at fostering engagement, participation, and critical dialogue. Through her practice, she seeks to create more accessible spaces for dialogue and understanding, focusing on the role of institutions in our time. Through art and education, she engages with the public sphere and reflects critically on the world around us.

Sara Kecman
Sara Kecman was born in 1998 in Novi Sad, where she completed her undergraduate studies in photography at the Academy of Arts, and is currently pursuing a master’s degree in Art Education at the same institution. She is a co-founder of the Association of Artists “Project EXP” and a member of its curatorial collective, through which they have curated three exhibitions of young artists in Novi Sad since 2022, developed a regional project in collaboration with partner organizations from Zagreb and Skopje (2024), and participated in a cultural mobility program in Oslo (February 2025).
She has exhibited her photography work in several group exhibitions, notably the Student Photography Biennial (SKC "Fabrika", Novi Sad, 2021), where she received the Third Prize and the Special Award for the Best Student Work from Serbia, as well as the project Photography as a Method of Visual Research (Cultural Station "Svilara", Novi Sad, 2019). Her documentary film "You're Still Thinking About That?", created as part of the Ateliers Varan workshop, was screened at film festivals in Novi Sad, Belgrade, and Paris. She was awarded a one-year internship at the Photography Department of the Academy of Arts (APV, 2023/24), the prize for the best graduation project in the artistic discipline of photography (2022), and a scholarship from the Personal Development Fund (OPENS, 2021).