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< Back Announcement: Ash Moniz’s Research on Cartographies of Solidarity is selected for Maritime Portal Residency in 2021 24 Mar 2021 Announcement: Ash Moniz’s Research on Cartographies of Solidarity is selected for Maritime Portal Residency in 2021 All the Way South x As you go…roads under your feet, towards the new future Before the navigational expansion of European pilgrims and commerce in 16th century, maritime exchange of labor, goods and finances, movement of peoples and cultures had flourished along ancient port regions of the south, and have continued to shape contemporary agendas ranging from geopolitical relations, environment and climate change, international trade, to migration policies and forced displacement, food security, and global co-immunity. Yet models, cartographies and vocabularies available for reading these intersectional trajectories are largely oriented around the metropole-periphery coordinates and economic criteria. Indigenous relations of subjects, objects and places, and local schemes of cultural cosmopolitanism, are either erased or written into top-down registrations of colonial mindset, imperial struggles and competitiveness of nation states. In order to foster a knowledge field that intervenes within the conundrum of globalization, and to pursue connectivity across oceans and borders, we are pleased to announce that Ash Moniz, a Cairo based multi-disciplinary artist, and his research proposal on logistics workers’ transnational solidarity networks have been selected for the Maritime Portal Residency in 2021 . The MPR is a collaborative initiative of All the Way South x As you go…roads under your feet, towards the new future . It bridges many understandings of the south that only overlap partially with the geographical South and engages the histories and realities emerged from long lines of maritime mapping and entanglement. The selection is collectively made by the partner cells of As you go…roads under your feet, towards the new future . We have received over 40 applications from artists and researchers working in diverse contexts. Please be noted that we won’t be able to notify every applicant by email, and we hope to continue our conversations with those who share our commitment to facilitating undisciplined practice and decentralized network in relation to the epistemologies of south. Research Statement by Ash Moniz “As the extraterritoriality of logistics carves out geographies of supply chain infrastructure, it also molds the spatial constellations of logistics workers’ solidarity networks. In my research, I have found that workers at many ports each have their own unique port allies who organize in correspondence with their struggles (eg. between Sokhna and Mumbai, or Istanbul and Rio De Janeiro). The nuances of historical reasoning behind these nodes often show cartographies of solidarity that expand beyond geographical or corporate proximity. I would like to contribute to the Maritime Portal residency by experimenting with different cartographical possibilities for representing geographies of solidarity, and how directionalities of social relations interweave with those of cargo. I am building off of an ongoing independent archive that compiles materials from dockers’ strikes internationally, that I have collected over the years. This also includes materials from research on container ships and in ports (Singapore, Sokhna, Port Said, Beirut, Tripoli, Athens, Istanbul, etc.), and shared video-archives from transport workers unions, etc. I am interested in the modes of literacy that dictate inventories of supply, and the forms of representational leverage that shape logistical negotiations. In investigating how tacticality takes form, my work situates the temporal loss of supply-chain interruption within both logistical time and historical time, mapping the lost possibilities of past struggles.” Hijacking Hindsight (2020) [Still] In the Anticipation of a Future Need to Know (2017) [still] Silent Glass (2020) [still] Ash Moniz Ash Moniz is a Cairo based multi-disciplinary artist whose practice spans performance, installation, video and film. Along with a BA from OCAD University (Toronto), Moniz has participated in independent study programs such as Raw Academy (Dakar, Senegal), the Harun Farocki Institute (Berlin, Germany) and Mass Alexandria (Alexandria, Egypt). Moniz’s exhibitions include solo shows at Townhouse Gallery (Cairo), Sishang Museum (Beijing), and HMFF (Nanjing); and group shows at Forum Expanded | Berlinale (Berlin), the Dakar Biennale (Dakar), and the Minsheng Museum (Shanghai) [among others]. They currently write art criticism for the Egyptian online-magazine Mada Masr, and have taught at the Cairo Institute for Liberal Arts and Sciences. Their written works have also been published in peer review journals, such as Thresholds at MIT. Moniz was a member of the artist collective ADL from 2014-2018, and were the assistant curator of the AMNUA Museum in Nanjing, China, in 2014/15. They are currently a part of the artist collective Utterance Lab, in Cairo. All the Way South x As you go… roads under your feet, towards the new future All the Way South is an exchange network of research, residency and commission initiated by Times Museum. It is a relational response to the diverse processes of southernization and to the historical resonances between southern China and the Souths of the world. We collaborate with cultural makers and institutions to create new geographical trajectories around diasporic memories and experiences, and bridge artist observations of our transregional society with archival and academic practice. We prioritize initiatives that unfold overtime and cross disciplines, and provide funding and resources for the ones that are marginalized by the market. As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts. The project was conceived and initiated by Biljana Ciric in 2019 after conducting curatorial research in East Africa, Central Asia, and several Balkan countries. The inquiry is structured as a long-term research project over a period of three years through research cells of organizations, institutions and individuals: What Could Should Curating Do (Belgrade), Moderna Galerija (Ljubljana), Rockbund Art Museum (Shanghai), Guangdong Times Museum (Guangzhou), ArtCom (Astana), Robel Temesgen and Sinkneh Eshetu (Addis Ababa), and The Public Library (Bor). Please refer to http://old.wcscd.com/index.php/2020/01/07/as-you-go-the-roads-under-your-feet-towards-a-new-future/ Previous Next

< Back Stories from the Room in Addis Ababa 28 June 2021 As you go… roads under your feet, towards the new future together with Curtain project by Rockbund Art Museum and Contemporary nights Addis Ababa presents Stories from the Room in Addis Ababa June 2021 - ongoing As you go…roads under your feet, towards the new future in collaboration with Rockbund Art Museum Curtain project and Addis Ababa based collective, Contemporary Nights presents you a call for participation of Stories from the Room , a public project by artist Jasphy Zheng. Stories from the Room is a participatory long-term project that collects personal writings about the shared experience of living through this “new normal” and builds a growing archive that could be reproduced in different localities. Unconstrained in terms of its language, form or geographic location, submissions are welcomed from all across the world. Contributing to the construction of a collective “sculptural monument”, every submission we receive will be periodically organized into a living archive and find ways of going public with it. Stories from the Room was first realized as a response to the isolation felt during the outbreak of the pandemic. Presented at the institution CCA Kitakyushu, Japan, as a solo exhibition of Zheng that closed and reopened repeatedly due to the lockdown, this gesture to create a sculptural monumental within this period was envisaged as a bridge to go beyond the concepts of closure and exclusion, exploring the capacities of participants to transcend these barriers through the imagination. Invited by curator and founder of WCSCD Biljana Ciric and Larys Frogier, the director of Rockbund Art Museum in participating in the long-term research project As you go… roads under your feet towards the new future and as part of the CURTAIN project, Stories from the Room can be considered by participants as a conduit for different voices to convene anonymously, to share, transcend, vent, extend, activate, emphasize, release, express, disrupt, contemplate, and reflect on changes and new processes that influence our collective life and experiences during this unpredictable period. In collaboration with As you go…roads under your feet, towards the new future Stories from the Room are implemented across different local contexts that project is situated working with local institutional partners and peers Kashakstan in collaboration with Artcom platform, in Ethiopia is collaboration with Contemporary Nights and Public Library Bor in Serbia. Special presentation has been developed in collaboration with TarraWarra Museum of Art in Melbourne during strictest lockdown imposed ever in the city’s history. Zheng states: “Through this long-term project, I am rethinking the gap between on and offline worlds as a new territory that defines, questions, and challenges the distance between sociality and solidarity at a time like this. Through a collective act, this project simulates a physical gathering of text by collecting paralleled realities from participants and displaying them in a public space. We nourish outpouring to oneself in the form of a community regardless of distance.” Addis Ababa version of the project has been developed in close collaboration with Jasphy Zheng，Biljana Ciric，Sarah Bushra and Contemporary Nights developing set of strategies that could relate within local context. To encourage people from all walks of life to participate in this project, we’re setting up writing stations in 6 selected locations across Addis Abeba. Considering the long-standing culture of coffee drinking in the city, we’re thinking of Cafes and street coffee vendors as depository of physical letters from people who go there to drink coffee and spend some time. We invite people to submit their stories using the language of their heart. The station includes a poster with details about the project, paper cut-outs with prompts for writing a letter, two volunteers who encourage people to participate as well as record voice submissions when writing is not accessible, and a box at location to collect the submitted letters. The selected locations are: Burtukan’s Coffee (ኑ ቡና ጠጡ), Alem Buna, Lime Tree (Kazanches), Entewawek Coffee, Qawa Coffee, and Tomoca Coffee (Piassa Haron Building). These location is indicated in this map Submissions are also open through email. Send your writing to jasphy.opencall@gmail.com . Ensure your submission includes a name, location, and date. You can write about your days, thoughts or feelings, at any length and in any language you prefer. Together we are inviting you to visit these spaces and participate in creating a monument to our time with your stories. About the Artist Living between the US and China, Jasphy Zheng is an interdisciplinary artist whose practice most recently explores the inevitable failure of communication, both on an interpersonal and collective level. Using social installations, unannounced performances, sculptural objects, and artist’s books, Zheng constructs situations as public interventions that aim to raise awareness of our social and cultural environment, both in and out of the context of contemporary art. Zheng graduated with a BFA from the Rhode Island School of Design. About As You Go… the roads under your feet, towards the new future As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts. The project was conceived and initiated by Biljana Ciric in 2019 after conducting curatorial research in East Africa, Central Asia, and several Balkan countries where project is situated. This long-term research project is structured through research cells of organizations, institutions and individuals that Rockbund Art Museum is part of. Other partner cells are What Could Should Curating Do (Belgrade), Moderna Galerija (Ljubljana), Times Museum (Guangzhou), Artcom (Astana), Robel Temesgen and Sinkneh Eshetu (Addis Ababa), and The Public Library (Bor). The first stage of the project has been supported by the Foundation for Arts Initiatives, CURTAIN (Rockbund Art Museum), Austrian Cultural Forum, Curatorial Practice (Monash University Art, Design and Architecture), and the Australian Government Research Training Program Scholarship. As you go . . . the roads under your feet, towards a new future About Rockbund Art Museum and Curtain project Stories from the Room is developed in collaboration with Rockbund Art Museum Curtain project. Inaugurated in 2010, Rockbund Art Museum is a contemporary art museum located on the Bund in Shanghai. With a strong reputation for our innovative curatorial approach, we look to conceive different art projects from research to alternative learning programs, from exhibition-making to unexpected para-performative formats. By supporting bold contemporary art practices, we aim to continually remake local histories, whilst also responding to global art challenges and social mutations. We regard the role of exchange as an essential process required for a wider transformation to occur by building up a network of multi-regional, international and cross-disciplinary partnerships. Through this process, we aim to cultivate a diverse and deep-rooted connection to our audiences, communities, and also different social and cultural organizations. More on www.rockbundartmuseum.org As you go… the roads under your feet, towards a new future collaborates with Rockbund Art Museum through Curtain project initiated by museum director Larys Frogier and number of collaborators Mathieu Copeland, Biljana Ciric, Cosmin Costinas, Hsieh Feng-Rong, Billy Tang. Initiated in 2020, CURTAIN is a long term research project, which will be articulated through a series of exhibition formats, discursive platforms and cross-institutional collaborations spanning a three-year period. Seeking to go beyond the fixed definition of an exhibition, the project looks to expand the dialogue with artists through the gathering of critical thinkers and practitioners from other social and cultural fields. About Contemporary Nights Contemporary Nights is a curatorial forum directing, showcasing, and documenting post-disciplinary artistic productions. CN# mediates collaborations and collective processes to forge meaningful connections among art practitioners in Addis Ababa and beyond towards nurturing a sustainable ecosystem and reimagining a radical collective future. CN# generates spaces for experimentation and facilitates research based and process-driven praxis to redefine existing boundaries. Previous Next

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Books As you go…roads under your feet, towards the new future publication Read More WCSCD produces limited edition prints Read More What Could Should Curating Do Volume 1 Read More

As You Go ... Activities 10 Aug 2022 Bor Encounters As you go…roads under your feet, towards the new future Bor Encounters September 15th –September 19th 2022 Read More 10 July 2021 Sharing Session: As you go… roads under your feet, towards the new future ​ Read More 28 June 2021 Stories from the Room in Addis Ababa ​ Read More 11 May 2021 Astrobus Ethiopia 2021 | Omo Valley Southwest Ethiopia ​ Read More 8 Apr 2021 AS YOU GO… ROADS UNDER YOUR FEET, TOWARDS THE NEW FUTURE | FILM PROGRAM ​ Read More 24 Mar 2021 Announcement: Ash Moniz’s Research on Cartographies of Solidarity is selected for Maritime Portal Residency in 2021 ​ Read More 2 Mar 2021 As you go… roads under your feet, towards the new future | Symposium ​ Read More 4 Jan 2021 Open Call for Maritime Portal Residency ​ Read More 7 Nov 2020 Newly commissioned project by RAM Jasphy Zheng: Stories from the Room Curators: Biljana Ciric, Larys Frogier, Billy Tang Read More 6 Nov 2020 Приче између зидова у Народној библиотеци Бор Новембар 2020 – Read More 4 Feb 2020 Preface February 4th 2020 2pm – 8pm Guramayne Art Center Addis Ababa Organized in collaboration with Biljana Ciric & Guramayne Art Center Read More

Events Lecture Series Participant Activities Series of texts developed by participants of WCSCD 2020/2021 program as a response to Bruno Latour text What protective measures can you think of so we don’t go back to the pre-crisis production model? The series of texts have been developed by participants of WCSCD2020/2021 program as a response to Bruno Latour text What protective measures can you think of so we don’t go back to the pre-crisis production model? http://www.bruno-latour.fr/sites/default/files/downloads/P-202-AOC-ENGLISH_1.pdf This was volunteer response during the lock down as a way of solidarity and vocalizing our hopes and fears. I would like to thank to all authors who contributed as well as Katelynn Dunn and Róisín McQueirns for editorial work on published texts Program has been postponed for March 2021. C OVER IMAGE photo by Anna Mikaela Ekstrand Silver of the Blue Sky NYC April 2020 LIST OF CONTRIBUTION 22 June 2020 Which Side Have You Chosen? A Response to Bruno Latour [1] Anna Mikaela Ekstrand Read More 4 May 2020 Response to Latour I, Crisis, Production and Closed Communication Katelynn Dunn Read More 2 May 2020 After The Covid-19: Speculations Over The Verb ‘To Re-Start Giulia Menegale Read More 23 Apr 2020 Present Perfect Continuous Tīna Pētersone Read More 17 Apr 2020 Immovable Object /Unstoppable Force Devashish Sharma Read More 10 Apr 2020 Care in Crisis – A Response to Bruno Latour’s protective measures post-crisis Beatrice Rubio-Gabriel Read More 10 Apr 2020 A response to Bruno Latour’s Protective Measures Nathalie Encarnacion Read More 10 Apr 2020 Art in Central Asia during the quarantine Nellya Dzhamanbaeva Read More 7 Apr 2020 Activities to stop or to reappear and to be born after (or as a result of) the health crisis Yana Gaponenko Read More 6 Apr 2020 Untitled Madina Gasimi Read More 5 Apr 2020 The Landscape of Unknown Idil Bozkurt Read More 5 Apr 2020 Art as barrier gestures Anne Bourrassé Read More

Throughout the first year of inquiry, As you go…roads under your feet, towards the new future , most of the research has dealt with human-made changes and how this has interfered with the local life of other people. However, there is very little mention of the non-human world, or an acknowledgement of its existence and transformation. For the april edition of our online journal , I asked each researcher and partner cells (if there are many of you in one cell, you must still each individually participate) to contribute two keywords. The first describing one non-human existence which has disappeared from the earth in relation to the changes within their research. The second a non-human existence that has emerged from the new living conditions that have transformed within your respective research. The keyword and its accompanying description could range from one sentence to an entire page, could be sounds of short video, and image. This special feature of journal in march will acknowledge our interdependence in the world that virus reminded us of but also proposition to act and view the world as truly interconnected web knowing that we are just one part of it. It is invitation to become conscious of the world under our feet, making each step lighter, acknowledging the world below. Biljana Ciric 29 Apr 2021 Manila shawl and “gold mountain uncles” and Protein demand and chicken farm blockchain Nikita Yingqian Cai Read More 27 Apr 2021 “Topola” (Cottonwood trees) and “Breza” (birch trees) and Chinese wok Hu Yun Read More 25 Apr 2021 kaijū and The real Ocean & Wavz Read More 22 Apr 2021 The roar, which never vanished Sultan Mussakhan Read More 20 Apr 2021 Gigantic dwarfs of Lake Balkhash: Journey into a microscopic world of phytoplankton. Veronika Dashkova Read More 19 Apr 2021 cosmotechnics, modernity, RTB Bor, (data) mining, computer history, self-managing socialism Robert Bobnic and Kaja Kraner Read More 18 Apr 2021 national identities, common ground Marija Glavas Read More 16 Apr 2021 Disappeared – appeared: selo – BOR – grad village – BOR – city Jelica Jovanovic Read More 12 Apr 2021 Appearing: the statue of Confucius in front of the Samarkand State University Disappearing: historical city centres across Uzbekistan due to gentrification Alex Ulko Read More 10 Apr 2021 Pigeon post Kyōzō Jasphy Zheng Read More

As you go … Online Journal Editorial Statement As you go... roads under your feet, towards the new future is transitioning from a long-term research curatorial inquiry into a sustainable, autonomous, transnational, and multiplatform organization. Biljana Ciric conceived and initiated this project in 2019, and it has since developed into a network of organic research cells comprising independent art practitioners, small-scale organizations, state/private museums, and researchers from various fields. As you go… aims to generate alternative modes of working together that debunk the hierarchy of the artistic institution, encouraging creative interplays amidst the vast scope of cultural production and interdisciplinary research. The initiative has organized two encounters, the first in Addis Ababa and the other in Bor, a symposium, and provided support to numerous artists, collectives, and researchers. The transition to a sustainable, autonomous, transnational, and multiplatform organization is a significant step forward for As you go… and its partners. The organization will continue to connect and relate with localities on the margins and expand its network to like-minded individuals, communities, and institutions in various regions. As you go… will nurture art and research as political and solidarity practice within its organization members and beyond, using opacity and visibility as active choices. As you go… transnational organization funding partner cells include: Biljana Ciric , What Could Should Curating Do, Belgrade Larys Frogier , OW Ocean & Wavz, Paris Aigerim Kapar , Artcom Platform, Almaty/Astana Jelica Jovanovic , Belgrade/Vienna Sinkneh Eshetu , Fruitycity Children’s World, Addis Ababa Among our other activities and platforms that we use to connect to and engage with artists, art institutions, and the public, we will continue our online journal. As a journal, we are committed to supporting initiatives that challenge the usual definition of curatorial practice and academic research and aim to generate alternative modes of working together. We believe that As you go… has the potential to make a significant contribution to contemporary arts and humanities by fostering collective and critical learning, building a sense of intimacy, and amplifying unheard voices of shared struggles within different contexts. As you go… member cells in different parts of the globe commit to continuing to contribute to our journal, sharing their personal as well as institutional experiences and learning, as they act within their local contexts with a shared vision as an organic unit. We also encourage and welcome contributions from individual and institutional partners of As you go… to lend impetus to our shared goal of playing constructive roles in contemporary arts and humanities through channeling unheard voices and ‘quoting from the margins’. As you go… funding partner cells will also serve as members of the online journal editorial board. Written by Sinkneh Eshetu April 2023 Addis Ababa 21 Feb 2022 Stories from the room - Conversation Jasphy Zheng Read More 18 Feb 2022 A disturbing Chinese dream: scattered thoughts on the cultures of involution and art institution in China Zian Chen Read More 15 Dec 2021 Shore Seeing Stillness Ash Moniz Read More 10 Nov 2021 Non-Alignment Summit Anniversary a difficulty to re-member Dunja Karanović & Jovan Mladenović Read More 5 Nov 2021 SEEING THE INVISIBLE Alexey Ulko Read More 3 Nov 2021 THE CULTURAL INTERWEAVING OF CHINA AND THE BALKANS: A TEXTUAL ANALYSIS OF ARTISTIC EXCHANGES UNDER THE BRI Marija Glavaš Read More 15 Oct 2021 NETWORKING THE PERIPHERIES: LOOKING EAST FROM THE EAST Jelica Jovanović Read More 10 Sept 2021 Virtually Driving Back in Time? Sinkneh Eshetu Read More 15 July 2021 Notes on respiration Teodora Jeremić Read More 10 July 2021 Untitled Naol Befkadu Read More 20 June 2021 The Election Conundrum: Ethiopia’s Determination to hold the 6th National Election and its Ramifications Naol Befkadu Read More 15 June 2021 Life ‘After’ the Pandemic: Ethiopia’s Response to COVID-19’s Paradoxical Effect Naol Befkadu Read More 25 May 2021 Astrobus Ethiopia 2021 Astrobus Read More 10 Apr 2021 As you go... Journal Special Issue April 2021 Biljana Ciric Read More 15 Feb 2021 THE CULTURAL INTERWEAVING OF CHINA AND THE BALKANS Marija Glavaš Read More 15 Jan 2021 History and stories from Lake Balkhash Aigerim Kapar Read More 30 Dec 2020 THE DANGER OF AMBITION AND NEGLECT The Case of Beautifying Sheger Sinkneh Eshetu, Aziza Abdulfetah Busser & Berhanu Read More 25 Dec 2020 Behind Ethiopia’s Civil War: From Guerrilla to Secessionist Berhanu Read More 20 Dec 2020 “Bor is burning” [1]: the political economy of IT in the Socialist Republic of Yugoslavia Robert Bobnič and Kaja Kraner Read More 26 Nov 2020 Infrastructuring the Region: Fieldnotes of an Ongoing Research Jelica Jovanović Read More 22 Nov 2020 Seeing the Invisible: Documenting and Interpreting China’s Cultural Presence in Uzbekistan (Part 2) Alexey Ulko Read More 15 Nov 2020 Partner Cells in Co-Immunity ​ Read More 28 Aug 2020 On Bor’s Industrial Heritage Dragan Stojmenovic Read More 25 Aug 2020 Seeing the Invisible: Documenting and Interpreting China’s Cultural Presence in Uzbekistan (Part 1) Alexey Ulko Read More 20 Aug 2020 On Not Hearing the Gunfire Su Wei Read More 15 Aug 2020 Treading a line Sarah Bushra Read More 28 July 2020 The stories behind the lockdown: Kazakhstan against Corona Anvar Musrepov Read More 20 July 2020 Bicycle Uprising Against Authoritarianism Tjaša Pureber Read More 15 July 2020 Belgrade Calling 2 Katarina Kostandinović Read More 28 June 2020 BOR Hu Yun Read More 20 June 2020 Beating Around the Bush: Some Reflections on the Crisis of “Imported Cases” of Africans in Guangzhou Berhanu Read More 28 May 2020 Bishkek – Addis Ababa, notes from the journey through space and time Gulnara Kasmalieva & Muratbek Djumaliev Read More 18 May 2020 Mask making and coffee drinking in Addis Sarah Bushra Read More 25 Apr 2020 Belgrade Calling Katarina Kostandinović Read More 20 Apr 2020 Boarding & Europe Siniša Ilić Read More 18 Apr 2020 School-In-Isolation Bermet Borubaeva Read More 16 Apr 2020 Artists as Gardeners Gulnara Kasmalieva & Muratbek Djumaliev Read More 15 Apr 2020 Corena* Musings Sarah Bushra Read More 14 Apr 2020 What happens after the contactless art world? Nikita Yingqian Cai Read More 12 Apr 2020 The Sustainable Museum Zdenka Badovinac Read More

About educational program Introduction of program 2018-2022 About Participants Alumni Mentors Events How to Apply Programs WHAT COULD/SHOULD CURATING DO?—WCSCD was initiated in 2018 in Belgrade as an educational platform focused around notions of the curatorial and is a registered civic association. ​ WCSCD’s education program has been run on an annual basis every year since 2018. Till 2022 it was organized as a three-month program for practitioners situated in Belgrade. From 2023 program is organized as biennial working with program participants over longer period of time. ​ Our participants were young practitioners from different parts of the world including the Balkans, EU, Asia, Central Asia, Russia and Latin America making it a unique program in Europe. ​ WCSCD educational program has been learning through recent years to think what kind of citation could actively produce.Through carefully created mentorship program we are committed to think and practice what kind of knowledge we consider worth and how it gets prioritized creating new citations from the margins. [1] ​ [1] Sara Ahmed, “White Men,” Feminist Killjoys Blog, November 4 2014, www.feministkilljoys.com/2014/11/04/white-men

As You Go ... Activities This is a Title 01 This is placeholder text. To change this content, double-click on the element and click Change Content. Read More This is a Title 02 This is placeholder text. To change this content, double-click on the element and click Change Content. Read More This is a Title 03 This is placeholder text. To change this content, double-click on the element and click Change Content. Read More